An Artistic Homecoming

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An Artistic Homecoming

An Artistic Homecoming

50th Anniversary Alumni Show features work by some of Virginia Wesleyan’s most gifted grads

By Leona Baker | August 25, 2011

They may represent different generations and different disciplines, but the artists being featured in an upcoming special exhibition in the Neil Britton Art Gallery, located in the Hofheimer Library on the campus of Virginia Wesleyan College, have at least one thing in common: They’re all Marlins.

Part of the College’s half-century celebrations, the 50th Anniversary Alumni Show kicks off August 26, 2011 and runs through November 3. An opening reception will be held in the gallery from 5:30-7:30 p.m. on Sept. 8. This event is free and open to the public.

The exhibit will feature work in a variety of mediums including painting, photography, ceramics and mixed media and represent Wesleyan graduates from all five decades of the College’s existence.

“The 50th Anniversary Alumni Show will include artists that range in age from their 20s to their 80s,” says Associate Professor of Art and Curator of Exhibitions John Rudel. “It will be a wonderful event to highlight a wide range of individual creative talents and an overall shared connection to VWC.”

Among the alumni whose work will be included in the show are several who have gone on to successful careers as working artists. Will Corr is a nationally known Florida-based abstract painter whose work is in numerous corporate and private collections across the country. Christine Harris’ exquisitely detailed mixed media sculptures combine her interest in art, psychology and social issues and have landed her numerous awards and regional exhibitions.

Photographer Larry Strauss, another alumni artist whose work will be featured in the show, says his interest in photography and fascination with the natural world solidified during his time at VWC in the early 1970s.

“Wesleyan allowed me to explore and advance my skills,” Strauss explains. “This was before digital, and I joined a photography club here, used the darkroom facilities and shot pictures for the yearbook. I also used my photographs to add another dimension to my studies and classes.”

His striking black and white photograph of desolate, leafless tree, the piece that will appear in the show, is the result of creativity and patience.
“I waited for this rainy, winter day, very uncomfortable, but the conditions were perfect for the picture I wanted.”

Karen Aneiro remembers her time in the VWC Art Department of the 1990s as transformative. She is particularly indebted, she says, to the encouragement and mentorship of Barclay Sheaks and Neil Britton, both late VWC art professors. She remembers taking a painting class with Sheaks in which there were some art students along with others who had no experience or artistic bent whatsoever.
“By the end of the semester they were all painting like artists,” she recalls. “He recognized that everybody has an artist inside of them, and he knew how to bring that out.”

Her own artistic journey has lead to rewarding work in the arenas of fine art and museum education. Most of her mixed media sculptures are equine in nature—another of her passions being raising horses and other animals on her farm in New Kent County, Virginia. The suspended horse sculpture she fashioned out of various metals, polymer and colored glass (she purposely included some VWC blue for the occasion) will greet gallery goers near the entrance when the alumni art show opens this week.

The alumni show will be a chance for visitors to experience the artistic talents of Wesleyan graduates like Aneiro, but it will also be an opportunity for former students to reconnect.

“I think the Art Department at VWC has always been and continues to be a supportive, close-knit environment,” says John Rudel. “An event like this should reinforce that feeling and hopefully bring our alumni closer.’

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About Christine K Harris
My artwork is a record of the pathways that I have taken in my process of becoming. Mixed media sculpture helps me understand and integrate my personal emotional history, observations, and recurrent dreams. I work intuitively with the found objects I collect, guided by half-formed sketches, unsorted and unfiltered emotional experiences, and half-remembered dreams. Sometimes I go searching for a particular thrift store item that fits a concept I'm exploring, and other times these cast-off objects speak to me and reverberate with something floating just below my awareness. I combine these findings to create totally new structures upon which to build my narratives. Animals and animal/human combinations play a role in my sculptural stories. The human figures I that I render over wire armatures often appropriate animal features both to cloak their imperfections and to express a connection with the essence of the animal. Their attempts to hide behind a familiar and comforting form never quite leave them satisfied. The bird imagery in my work also expresses an unfulfilled longing. We know that birds have the capacity for marvelous freedom, but before they find their wings they are helpless and fragile, and in constant need. In my work they are often caged and struggling for nurturance. Sometimes they are held in a figure's elongated fingers and we're not sure if they're being helped to freedom or restrained. Sometimes I'm not sure. As important as it is for me to use my art to make sense of the world, it is just as important that viewers take their own experience from my work and the juxtapositions in my artwork leave room for their personal interpretations.

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